[001] 2026-08-14 · Ilinca Mureșan · 4 IMG · 4:5
The weight of a handle
A door tells you how to open it before your hand arrives. Most doors lie.
[002] 2026-08-06 · Ilinca Mureșan · 3 IMG · 1:1
Twelve greys and an argument
Mixing a neutral is easy. Mixing a neutral that stays neutral under three lights is not.
[003] 2026-07-29 · Tudor Albescu · 5 IMG · 4:5
Against the perfect edge
The machine can hold a tolerance the eye cannot see. We kept paying for it anyway.
[004] 2026-07-18 · Tudor Albescu · 3 IMG · 4:5
A room that hears itself
Acoustic treatment as a visual problem, solved badly for a year and then properly in a weekend.
[005] 2026-07-09 · Ilinca Mureșan · 4 IMG · 1:1
Notes on a failed catalogue
We printed two thousand of them. The grid was fine. The reading order was not.
[006] 2026-06-30 · Tudor Albescu · 3 IMG · 4:5
The drawer that taught us friction
Resistance is information. Removing all of it makes an object feel broken.
[007] 2026-06-21 · Ilinca Mureșan · 4 IMG · 4:5
Borrowed light
A north window, a white wall, and four weeks of photographing the same object to find out which was doing the work.
[008] 2026-06-11 · Tudor Albescu · 5 IMG · 1:1
An inventory of almosts
Everything on the reject shelf, photographed and catalogued, because throwing it out would waste the lesson.
[009] 2026-05-30 · Ilinca Mureșan · 3 IMG · 4:5
The cost of a radius
Two millimetres of corner, multiplied by every edge in the range, is a different business.
[010] 2026-05-19 · Tudor Albescu · 4 IMG · 1:1
Reading a surface
Matte, satin, gloss — and the discovery that nobody in the room used the words the same way.
[011] 2026-05-07 · Ilinca Mureșan · 3 IMG · 4:5
What the offcuts know
A year of scrap, sorted by species and thickness, turned out to be a map of every mistake we make.
[012] 2026-04-24 · Tudor Albescu · 4 IMG · 4:5
The last ten percent
Finishing takes as long as everything before it, and it is the only part anybody touches.